Bonnefanten Musuem I Małgorzata Mirga-Tas: This is not the end of the road

08. Juni 2024 – 16. Februar 2025

Pressemitteilung
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This is not the end of the road ist die erste museale Einzelpräsentation von Małgorzata Mirga-Tas (Zakopane, 1978) in den Niederlanden, in der auch neue Arbeiten zu sehen sein werden. Die international anerkannte polnische Künstlerin und Aktivistin gehört zu den Roma - der größten und wohl am meisten diskriminierten und missverstandenen ethnischen Minderheit in Europa. Die Ausstellung umfasst zahlreiche textile Arbeiten aus verschiedenen Perioden ihrer künstlerischen Laufbahn, darunter die spektakuläre Serie Re-enchanting the World, mit der sie 2022 auf der Biennale in Venedig international für Furore sorgte.

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Bonnefanten Musuem I Małgorzata Mirga-Tas: This is not the end of the road

June 08, 2024 – February 16, 2025

This is not the end of the road is the first solo museum presentation of Małgorzata Mirga-Tas (Zakopane, 1978) in the Netherlands, in which new works will also be on display. The internationally recognised Polish artist and activist belongs to the Roma - the largest and probably most discriminated against and misunderstood ethnic minority in Europe. The exhibition includes numerous textile works from various periods of her artistic career, including the spectacular series Re-enchanting the World, which caused an international sensation at the Venice Biennale in 2022.

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Małgorzata Mirga-Tas, Out of Egypt, 2024, textile and acryl on canvas, 300 x 225 cm. Photo: Bartek Solik. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

Małgorzata Mirga-Tas, Out of Egypt, 2024, textile and acryl on canvas, 300 x 225 cm. Photo: Bartek Solik. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

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Małgorzata Mirga-Tas, Baba Józka, 2020, patchwork, acrylic, wooden frame, 44 x 59,5 x 9,5 cm. Photo: Pepe Moron. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

Małgorzata Mirga-Tas, Baba Józka, 2020, patchwork, acrylic, wooden frame, 44 x 59,5 x 9,5 cm. Photo: Pepe Moron. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

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Małgorzata Mirga-Tas, Basiawiben predale baba - Music for grandmothers, 2024, Textile and acrylic on canvas on wooden stretcher, 200 x 160 cm. Photo: Bartek Solik. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

Małgorzata Mirga-Tas, Basiawiben predale baba - Music for grandmothers, 2024, Textile and acrylic on canvas on wooden stretcher, 200 x 160 cm. Photo: Bartek Solik. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

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Małgorzata Mirga-Tas, Siukar chaj – beautiful woman, 2024, Textile and acrylic on canvas on wooden stretcher, 59 x 60 cm. Photo: Bartek Solik Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

Małgorzata Mirga-Tas, Siukar chaj – beautiful woman, 2024, Textile and acrylic on canvas on wooden stretcher, 59 x 60 cm. Photo: Bartek Solik Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

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Ali Cherri, Gilgamesh (the Death of Enkidu), 2023, sarcophagus mask from Egyptian Late Period, iron, clay rigid foam, sand, pigments, wood glue, 230 x 75 x 85 cm; 50 x 80 x 80 cm. On loan from Imane Fares Gallery. Photo: Ali Cherri Studio.

Ali Cherri, Gilgamesh (the Death of Enkidu), 2023, sarcophagus mask from Egyptian Late Period, iron, clay rigid foam, sand, pigments, wood glue, 230 x 75 x 85 cm; 50 x 80 x 80 cm. On loan from Imane Fares Gallery. Photo: Ali Cherri Studio.

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Sofiia Dubyna, Dianaland (detail), 2022, watercolour, charcoal and make-up on canvas, 150 x 300 cm. Bonnefanten Collection. Photo: courtesy Sofiia Dubyna/Bonnefanten.

Sofiia Dubyna, Dianaland (detail), 2022, watercolour, charcoal and make-up on canvas, 150 x 300 cm. Bonnefanten Collection. Photo: courtesy Sofiia Dubyna/Bonnefanten.

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Danaë Moons, Earth Crane, 2013, drawing on paper, 95 x 128 cm. Bonnefanten Collection. Photo: Courtesy Danaë Moons/Bonnefanten.

Danaë Moons, Earth Crane, 2013, drawing on paper, 95 x 128 cm. Bonnefanten Collection. Photo: Courtesy Danaë Moons/Bonnefanten.

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melanie bonajo, Pee on Presidents, 1998-2012, video, 3 min. 29 sec. Bonnefanten Collection. Photo: Courtesy melanie bonajo, Amsterdam.

melanie bonajo, Pee on Presidents, 1998-2012, video, 3 min. 29 sec. Bonnefanten Collection. Photo: Courtesy melanie bonajo, Amsterdam.

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Małgorzata Mirga-Tas, Re-enchanting the World: March, 2022, textile, acryl, mixed media on wooden stretcher, 462 x 387 cm. Collection Bonnefanten, acquired with support of VriendenLoterij. Photo: Jacopo Salvi.

Małgorzata Mirga-Tas, Re-enchanting the World: March, 2022, textile, acryl, mixed media on wooden stretcher, 462 x 387 cm. Collection Bonnefanten, acquired with support of VriendenLoterij. Photo: Jacopo Salvi.

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Małgorzata Mirga-Tas, Portrait of Lalla Weiss, 2024, Textile and acrylic on canvas on wooden stretcher, 200 x 255 cm. Photo: Bartek Solik. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

Małgorzata Mirga-Tas, Portrait of Lalla Weiss, 2024, Textile and acrylic on canvas on wooden stretcher, 200 x 255 cm. Photo: Bartek Solik. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

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Małgorzata Mirga-Tas, Roziena kiereł a babakie siukar hajtań - Roziena brushes her grandmother's beautiful hair braid, 2024, Textile and acrylic on canvas on wooden stretcher, 160 x 210 cm. Photo: Bartek Solik. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

Małgorzata Mirga-Tas, Roziena kiereł a babakie siukar hajtań - Roziena brushes her grandmother's beautiful hair braid, 2024, Textile and acrylic on canvas on wooden stretcher, 160 x 210 cm. Photo: Bartek Solik. Courtesy of the Artist, Foksal Gallery Foundation, Warschau, Frith Street Gallery, Londen and Karma International, Zürich.

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Alia Farid, At the Time of the Ebb, 2019, video (still), 15 min 4 sec. Bonnefanten Collection. Photo: courtesy Alia Farid/Bonnefanten

Alia Farid, At the Time of the Ebb, 2019, video (still), 15 min 4 sec. Bonnefanten Collection. Photo: courtesy Alia Farid/Bonnefanten

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Ali Cherri, Of Men and Gods and Mud, 2022, three-channel video installation, duration: 20 min. Bonnefanten Collection. Photo: Courtesy the artist.

Ali Cherri, Of Men and Gods and Mud, 2022, three-channel video installation, duration: 20 min. Bonnefanten Collection. Photo: Courtesy the artist.

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Aristote Mago, Throne crushing, 2022, embroidery on burlap bag, 142 x 146 cm. Bonnefanten Collection. Photo: Courtesy Aristote Mago/Bonnefanten

Aristote Mago, Throne crushing, 2022, embroidery on burlap bag, 142 x 146 cm. Bonnefanten Collection. Photo: Courtesy Aristote Mago/Bonnefanten

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Lee ‘Scratch’ Perry, Untitled (Master of the Universe), 2018, 170 x 140 cm. Bonnefanten Collection. Photo: Courtesy Lee ‘Scratch’ Perry/ Bonnefanten.

Lee ‘Scratch’ Perry, Untitled (Master of the Universe), 2018, 170 x 140 cm. Bonnefanten Collection. Photo: Courtesy Lee ‘Scratch’ Perry/ Bonnefanten.

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Patrick van Caeckenbergh, Bouvard & Pécuchet, 1997, mixed media sculpture, 183.5 x 64 x 77 cm. Bonnefanten Collection. Photo: Courtesy Pictoright Amsterdam 2020.

Patrick van Caeckenbergh, Bouvard & Pécuchet, 1997, mixed media sculpture, 183.5 x 64 x 77 cm. Bonnefanten Collection. Photo: Courtesy Pictoright Amsterdam 2020.

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