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DEVELOPING ITALIAN EXPERIMENTAL PHOTOGRAPHY UP TO NOW - Launch of SR CONTEMPORARY ART

SR CONTEMPORARY ART BERLIN Niebuhrstr. 11A, 10629 Berlin; December 5, 2017 - January 27, 2018

Franco Fontana
Mar Ligure 2005 2005
lambda print on diasec
120×188 cm
© FRANCO FONTANA
Courtesy of SR Contemporary Art (Berlin Milano)

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Luciano Romano
Scala#1937
2015
Archival pigment print on Hahnemühle photo rag cotton paper
122×160 cm, ed. 2/6
© LUCIANO ROMANO
Courtesy of SR Contemporary Art (Berlin Milano)

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Barbara La Ragione
BARBARA AND BI installation
1997
silver salt print
40×30 cm, unique edition
© BARBARA LA RAGIONE
Courtesy of SR Contemporary Art (Berlin Milano)

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Franco Grignani
Speimentale di distorsione su multistrutture lineari e circolar.
1953
silver salt print 70×90 cm
© FRANCO GRIGNANI
Courtesy of SR Contemporary Art (Berlin Milano)

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Alessandra Baldoni I Need Protection
2014
installation iron, glass, words and photography, unique edition
© ALESSANDRA BALDONI
Courtesy of SR Contemporary Art (Berlin Milano)

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Patrizia della Prota Berlin Jewish Museum: Variazione sul tema 14
2006
lambda print
150×96 cm, ed.20
© PATRIZIA DELLA PORTA
Courtesy of SR Contemporary Art (Berlin Milano)

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Occhiomagico
Laurie Anderson, Domus series
1982-85
vintage print, Ed.3/3 35×45 cm
© OCCHIOMAGICO
Courtesy of SR Contemporary Art (Berlin Milano)

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Ivan Piano
Pagan Prayers
2013
installation 6 peaches silver salt print
30×40 cm each, unique edition
© IVAN PIANO
Courtesy of SR Contemporary Art (Berlin Milano)

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Press release

SR Contemporary Art announces the inaugural opening of its new gallery space with Developing, an exhibition examining the evolutionary history of Italian experimental photography from the 1960s to the present, featuring works by gallery artists.

N A U T I L U S Snails, Mussels, and Other Mollusks in Photography

ALFRED EHRHARDT FOUNDATION | Auguststr. 75 | 10117 Berlin; January 13 to April 15, 2018

Herbert Bayer
Kurz vor der Dämmerung
1936, späterer Abzug
Silbergelatine, 28 × 35,4 cm
© VG Bild-Kunst, Bonn 2017. Courtesy
Galerie Kicken Berlin
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Fritz Block
Riesenstachelschnecke/Murex inflatus
(Röntgenaufnahme)
1931
Silbergelatine, 15 × 11,6 cm
© Fritz Block Estate Archive,
Stockholm/Hamburg

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Imogen Cunningham
Five Shells
um 1930, späterer Abzug
Silbergelatine, 35,6 × 45,7 cm
© 1930-2017 Imogen Cunningham
Trust

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Alfred Ehrhardt
Nautilus pompilius L., Philippinen,
1940/41, Abzug 1968
Silbergelatine, 30 × 24,2 cm
© bpk / Alfred Ehrhardt Stiftung

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Bernard F. Eilers
Glasnegativ 1922, Abzug 2017
64 × 61 cm
aus der Serie Schelpen, Wendingen
1923, No. 8/9
© Bernard F. Eilers, Nederlands
Fotomuseum, Rotterdam

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Fred Koch
Nautilus pompilius
undatiert
Silbergelatine, 23 × 16,5 cm
Courtesy Sammlung Dr. Hans Schön

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Herbert List
Fortsetzung im Irrealen, Ostsee Strand,
Deutschland
1934
Silbergelatine, 12,4 × 14,3 cm
© Herbert List Nachlass, Hamburg

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Man Ray
L’Oeuf et Coquillage
1931, Abzug 1991 für Griffelkunst
Silbergelatine, 30 × 24 cm
© Man Ray Trust, Paris/VG Bild-Kunst,
Bonn 2017
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Aenne Mosbacher
Elsterschnecke
1930
Silbergelatine, 29,6 × 22,6 cm
ullstein bild collection
Kosten für die Nutzung müssen direkt
mit ullstein bild ausgehandelt werden
unter kontakt@ullsteinbild.de // The
fee for any other use of the image
must be negotiated directly with
ullstein bild, kontakt@ullsteinbild.de

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Walter Peterhans
Ohne Titel [Stillleben mit Stoff und
Muschel]
um 1929, späterer Abzug
Bromsilbergelatine, 29,2 × 39,3 cm
© Nachlass Walter Peterhans, Museum
Folkwang, Essen

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José Maria Sert
Etude de coquillage pour „Les aventures
de Simbad le marin“, Residenz von
Joshua S. Cosden, Palm Beach, Florida,
USA
1923
Silbergelatine, 24 × 30 cm
© JOSE MARIA SERT. Courtesy galerie
michèle chomette, Paris

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Otto Steinert
Stillleben mit Pfeife
1958
Silbergelatine, 65 × 55 cm
© Nachlass Otto Steinert, Museum
Folkwang, Essen. Courtesy Sammlung
Ann und Jürgen Wilde, Zülpich

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Josef Sudek
Stillleben Caravaggio Nacht I
1956
Silbergelatine, 24 × 30 cm
© I&G Fárová Heirs. Courtesy Galerie
Johannes Faber

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Edward Weston
Shell
1927, Abzug 1970er-Jahre
35 × 40 cm
© VG Bild-Kunst, Bonn 2017
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Wols
Ohne Titel [Stillleben – Muschel]
1938–1939, Abzug 1970er Jahre
Silbergelatine, 23,9 × 17,8 cm
© VG Bild-Kunst, Bonn 2017. Courtesy
Kupferstich-Kabinett, Staatliche
Kunstsammlungen Dresden, Foto:
Herbert Boswank
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Press release

In addition to plants and crystals, snails, shells, and other mollusks (conchs) are among the “structural forms in nature” that particularly fascinated the photographers of the modern era.

DUESSELDORF PHOTO

Düsseldorf; 16.02. - 25.02.2018

Louise Dahl Wolfe
A Style of her own
Museum of Modern Art, Looking at Matisse
ca. 1940

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Luise Dahl Wolfe
Yves Montand in his studio
1946

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Luise Dahl Wolfe
Suzy Parker by the Seine
1953

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Louise Dahl Wolfe
Twins At The Beach
1955

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Corina Gertz
Deutsche Tracht
2010

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Corina Gertz
Deutsche Tracht
2010

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Corina Gertz
Deutsche Tracht
2010

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Anna Grzelewska
Serie Julia Wannabe
© Anna Grzelewska
2015

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Zuza Krajewska
Adrian and Andrzej, twins
c-print
© Zuza Krajewska
2016

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Paul Barsch
Pizza Voyeur vegetarian pizza screenholder 1
2014

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Jennifer Chan
Big Sausage Pizza II
Photo Print on Fleece
2013

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Simon M. Benedikt
Andy Warhol eating a hamburger, Macaulay Culkin eating a pizza, and Simon M. Benedict eating chips
Video Screenshot

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Barbara Karsten
Composition 7D, 7E, 7T
2017

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Barbara Kasten
Parallels I
2017

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Lynn Hershman Leeson
iPhone Crack (August Moon), Installation, Courtesy the artist & Waldburger Wouters, Brussels
Foto: KAI 10 | Arthena Foundation, Alexandra Höner
2014

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Thomas Hirschhorn
Subjecter (Katastrophé) Atelieransicht/Studio View
Courtesy the artist
2010

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Akram Zaatari
A Photographer’s Imagination
2017

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Akram Zaatari
On Photography
Dispossession and Times of Struggle
2017

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Thomas Schüpping
Power Pole
Sw Print Fine Art auf Holz 110×164 cm
California
2013

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Thomas Schüpping
Nevada Fire V
Sw Print Fine Art auf Holz
146×220 cm
California
2016

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Kris Scholz
Marks And Traces 24 Kunstakademie Düsseldorf, 60X50Cm
2012

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Kris Scholz
Marks And Traces,
20, Fundacion Valparasio, 60X50 cm
2012

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Luc Saalfeld
Fundament
© DISPLACED
2017

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Mathieu Tremblin und Jordan Seiler
Digital Fortune Cookies

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Hermann Laupsien
1910 – 2007
Bernard Langerock, Licht-Collage/Fotografie
2017

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Filmstill
Blow Up
Michelangelo Antonioni
1966

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Filmstill
Blow Up
Michelangelo Antonioni
1966

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Anna Grzelewska
Serie Julia Wannabe
© Anna Grzelewska
2015

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Anna Grzelewska
Serie Julia Wannabe
© Anna Grzelewska
2015

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Zuza Krajewska
Zemo and Bajka
c-print
® Zuza Krajewska
2016

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Zuza Krajewska
Mateusz and his birds
c-print
® Zuza Krajewska
2016

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Press release

DUESSELDORF PHOTO will kick off in February 2018—a new photo-festival in Germany and the largest one in NRW. Around 30 museums, cultural institutions, universities, galleries, and project spaces will present the works of more than 100 photographers.

Hello World. Revisioning a Collection

Hamburger Bahnhof | Invalidenstraße 50-51 | 10557 Berlin; 23 March–19 August 2018

Mladen Stilinović
An Artist Who Cannot Speak English Is No Artist
1992
Acryl on artificial silk
140 × 430 cm
© Mladen Stilinovic’s Estate, Zagreb
Photo: Boris Cvjetanović

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Heinrich Vogeler
Kulturarbeit der Studenten im Sommer
1924
Oil on canvas
126 × 90 cm
© Staatliche Museen zu Berlin, Nationalgalerie
Photo: Volker-H. Schneider

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Marina Nuñez del Prado
Venus Negra
1958
Basalt
80,5 (H) x 52 (B) x 31,5 (D) cm
Shot: Scuplture garden of the Neue Nationalgalerie
© Staatliche Museen zu Berlin, Nationalgalerie
Photo: Reinhard Friedrich

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Press release

Hello World. Revisioning a Collection is a critical inquiry into the collection of the Nationalgalerie and its predominantly Western focus.

ELGER ESSER ‚MORGENLAND’

Galerie Kewenig | Brüderstr. 10 | 10178 Berlin; Highres Images can be requested under: artpress@uteweingarten.de; November 25 – January 27, 2018

1.
Elger Esser
El Kab II
2011 Ägypten
C-Print, DiaSec Face
184 × 239,5 × 5 cm

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2.
Elger Esser
Esna I
2011 Ägypten
C-Print, DiaSec Face
138 × 184 × 5 cm
Ed. 7/7

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3.
Elger Esser
Fata Morgana
2011 Ägypten
C-Print, Diasec Face
184 × 240 × 5 cm
Ed. 2/7 + 1 AP

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4.
Elger Esser
Akko II
2015 Israel
C-Print, DiaSec Face
154,5 × 184 × 5 cm
Ed. 2/7

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5.
Elger Esser
Akko III
2015 Israel
C-Print, DiaSec Face
154,5 × 184 × 5 cm
Ed. 2/7

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6.
Elger Esser
Jisr az-Zarqa I
Israel 2015
C-Print, Diasec Face
146 × 183,5 × 5 cm
Ed. 2/7 + 1 AP

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Press release

KEWENIG is pleased to present the work group «Morgenland» by the German artist Elger Esser, who studied in the 1990s under Bernd and Hilla Becher. It marks the third solo exhibition of the artist with the gallery.

¡BRIGHT!

Centre for International Light Art Unna | Lindenplatz 1 | 59423 Unna; November 25, 2017 – April 8, 2018

Björn Dahlem
Der Mond
Installation Shot
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Molitor&Kuzmin
Extension
Installation Shot
2017
Photo: Frank Vinken

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Volkhard Kempter
True Lite
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Press release

The new exhibition ¡BRIGHT! shows light art installations at a radiant brightness. Making use of pure white light, no matter if they are constructed with neon lights or fluorescent lamps.

ACTS OF LIGHT - MACK & GOETHE

A Special Exhibition at the Goethe-Museum | Jacobistraße 2 | 40211 Düsseldorf +49211 8996262; March 4 - May 27, 2018

Heinz Mack

Ohne Titel,
nach einer Vorlage von Goethe, 1991

Pastellkreide und Sprühfarbe auf Bütten,
76,5 × 111 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

For an oriental mirror, 2008

Acryl auf Leinwand, 60 × 72 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 2016

Acryl auf Leinwand, 210 × 223 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 2005

Sprühfarbe auf Karton, 76 × 111 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 1971

Collage, 26,2 × 22,6 × 2,3 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Johann Wolfgang von Goethe

West-oestlicher Divan, 1819
Titelblatt, Erstausgabe, Geschenkexemplar

Copyright: Goethe-Museum Düsseldorf

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Johann Wolfgang von Goethe

Eigenhändige Niederschrift des Gedichtes Ginkgo biloba aus dem West-oestlichen Divan,
datiert auf den 15. September 1815

Copyright: Goethe-Museum Düsseldorf

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Johann Wolfgang von Goethe

Zur Farbenlehre, 1810

Kolorierter Kupferstich nach Goethes Entwurf

Copyright: Goethe-Museum Düsseldorf

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Goethe-Museum Düsseldorf, Schloss Jägerhof

Photo: Dr. Barbara Steingießer

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Mack & Goethe – Taten des Lichts

Photo von Heinz Mack mit Lichtstele: Thomas Höpker
Copyright: VG Bild-Kunst, Bonn 2017

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Press release

Significant events cast long shadows. The major special exhibition explores the relationship between the work of Heinz Mack and the ideas and thinking of Johann Wolfgang von Goethe.

Emmanuel Tussore - Study for a soap

13.10.2017 - 23.11.2017; Benhadj&Djilali | Torstraße 170 | 10115 Berlin

Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Press release

The work is part of Tussore’s ongoing Aleppo Soap Project, which integrates Aleppo Soap, the oldest soap in the world, in a series of sculptures, installations, photographs and films.

BRUSSELS–BERLIN… A ROMANCE

Embassy of Belgium | Jägerstraße 52–53 | 10117 Berlin; 9.10. 2017 | 6 - 8 pm

Exhibition
Jonathan Muecke at Juliaan Lampens’ Van Wassenhove House
2016

Courtesy: MANIERA
Photo: Filip Dujardin

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Richard Venlet
Daybed Wolfers
2015

Courtesy: MANIERA
Photo: Adriaan Tas

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Studio Mumbai
Rush Chair
2016

Courtesy: MANIERA
Photo: Filip Dujardin

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Rug:
Christoph Hefti
Hands, Catching
2017

Table:
Christ & Gantenbein
Athens Series
2017

Courtesy: MANIERA
Photo: Christian Kahl

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Exhibition
Corners
OFFICE Kersten Geers, Trix + Robert Haussmann & Bas Princen
2017

Courtesy: MANIERA
Photo: Maxime Prananto

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Jonathan Muecke
LWC (Low Wooden Chair)
2016

Courtesy: MANIERA
Photo: Maxime Prananto

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NIYONA interior studio

Courtesy: NIYONA
Photo: Geert De Taeye

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Capes NIYONA
In collaboration with Maxime Leroy

Courtesy: NIYONA
Photo : Niyona

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Under base
For chief Jeremy Girvan de GJ Cook.

Courtesy: NIYONA
Photo : Niyona

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Het Beest
Niyona in collaboration with Von zadig

Courtesy: NIYONA
Photo : Niyona

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Blade Guards
For Florentine Kitchen Knives

Courtesy: NIYONA
Photo : Niyona

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12.

Petanque ball Jean & Fanny
In collaboration with Vervloet, Jean- François D’Or

Courtesy: NIYONA
Copyright: Vervloet

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Bénédicte Bantuelle

Courtesy: Studio La Bouche
Photo: Oskar

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Sweet Dreams
Set Design / Food stylism
2016

Courtesy: Studio La Bouche
Photo: Christian Jimenez

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Bread
Set Design
2015

Courtesy: Studio La Bouche
Photo: Frédérique Raevens

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Reflexions
Set Design
2015

Courtesy: Studio La Bouche
Photo: Oskar

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Ice cream
Set Design/Food stylism
2016

Courtesy: Studio La Bouche
Photo: Marc Paeps

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Le Festin Originel
Culinaria
2014

Courtesy: Studio La Bouche
Photo: Melopapille et Nicolas Buisson

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Alexandra Lambert
MAD

Photo: Fred Atax

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Dimitri Jeurissen
Base Design

Photo: Lydie Nesvadba

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Fabian Jean Villanueva
Base Design

Photo: Lydie Nesvadba

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Amaryllis Jacobs and Kwinten Lavigne
Maniera

Photo: Jef Jacobs

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Jonathan Wieme and Nina Bodenhorst
Niyona

Photo: Geert De Taeye

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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Press release

In conjunction with Brussels Days, MAD – Brussels Fashion and Design Platform is curating an evening of fashion and design. An open discussion about Brussels’ creative scene is followed by a unique food-design experience.

SERKAN OZKAYA We Will Wait

postmasters | 54 franklin street | nyc 10013; October 21 – November 25, 2017

Serkan Ozkaya
We Will Wait
2017
Photo illustration by Brett Beyer and Lal Bahcecioglu

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Press release

Postmasters is thrilled to present Ozkaya’s recreation, entitled We Will Wait. The room-sized installation will be shown in a never-before-seen or accessible space.

Joachim Richau ‒ FRAGMENT or in the Presence of Doubt

ALFRED EHRHARDT STIFTUNG | Auguststr. 75 | 10117 Berlin; 16.09.2017 - 23.12.2017

Joachim Richau
STEN RÖD II 2015
© Joachim Richau

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Joachim Richau
BLOCK I
2015
© Joachim Richau

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Joachim Richau
STEN BROTT I
2010
© Joachim Richau

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Joachim Richau
VÄGG IX
2015
© Joachim Richau

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Joachim Richau
SPEGEL I
2015
© Joachim Richau

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Joachim Richau
STEN VIT III
2016
© Joachim Richau

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Joachim Richau
SPÅR VITT II
2016
© Joachim Richau

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Press release

From the early 2000s onward, photographer Joachim Richau began to explore the Swedish landscape, where the photographs of the series FRAGMENT or the Presence of Doubt were taken.

ART ENCOUNTERS 2017 – LIFE A USER’S MANUAL

Timișoara & Arad; 30.09. - 05.11.2017

Art Encounters 2017, Life a User’s Manual
© Art Encounters Foundation and Synopsis Media

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Art Encounters 2017, Life a User’s Manual
© Art Encounters Foundation and Synopsis Media

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Anri Sala
1395 Days without Red, 2011
In collaboration with Liria Begeja. From a project by Šejla Kamerić and Anri Sala in collaboration with Ari Benjamin Meyers
HD video projection, colour, sound: discrete 5.1, on loop
Duration: 43 min 46 sec
Courtesy of the artist and Galerie Chantal Crousel, Marian Goodman and Hauser and Wirth.
Credits: Anri Sala / ADAGP, Paris 2017
© artist and photographer

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Anri Sala
Transfigured Moth, 2015
Altered snare drum, drumsticks, altered snare stand, loudspeaker
parts, and mono sound 7min
Edition of 1 + 1 AP
Courtesy of the artist and Galerie Chantal Crousel, Paris
Photo credits: Florian Kleinefenn
Credits: Anri Sala / ADAGP, Paris 2017
© artist and photographer

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Cornel Brudascu
Untitled, 2016
Oil on canvas
60 × 60 cm
Photo credits: YAP studio
© artist and photographer

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Ioana Bătrânu
Melancholic Interior, 2012
Oil on canvas
120 × 200 cm
Photo credits: Bogdan Bordeianu
© artist and photographer

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Julien Prévieux
D’octobre à février [From October to February], 2010
wool sweaters, hangers and hooks
dimensions variable
Courtesy Jousse entreprise gallery
Photo credits: Laurent Lecat – galerie Edouard Manet
© artist and photographer

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Julien Prévieux
Le lotissement [Housing Estate], 2008
MDF, acrylic paint
approximately 250 × 200 ×150 cm each
Courtesy Jousse entreprise gallery
Photo credits: Laurent Lecat – galerie Edouard Manet
© artist and photographer

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Michel Blazy
Fontaine de mousse (installation view), 2007
Palais de Tokyo, Paris
Rubbish bins, foam-bath, compressor unit, plastic tubes
Dimensions variable
Courtesy the artist and Art : Concept, Paris
Photo credits: Marc Domage
© artist and photographer

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Alin Bozbiciu
Ritual, 2017
Oil on canvas
250 × 196 cm
Photo credits: YAP studio
Credits: Alin Bozbiciu
© artist and photographer

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Mircea Suciu
The Confessional (1), 2017
Work in progress
Oil, acrylic, monoprint
252 × 180 cm
Courtesy the artist and Zeno X Gallery, Antwerp, Belgium
© artist and photographer

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Olivia Mihălțianu
Smoking Room – Venice Biennale, 2013
Gold wallpaper, furniture, Golden Matches, monitor
Variable dimensions
Reflection Center for Suspended Histories. An Attempt, New Gallery, Romanian Institute of Culture and Humanistic Research, 55 Venice
Biennale, Italy [group exhibition]
Photo credits: Stefan Jammer
© artist and photographer

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Pusha Petrov
Hand Marsupium (red), 2010
Digital color print
48 × 72 cm
Series of 21 photographs
Credits: Pusha Petrov
© artist and photographer

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Pavel Brăila
New Year’s Dissections, 2017
Installation view
Courtesy of EASTWARDS PROSPECTUS
Photo credits: Miluță Flueraș
© artist and photographer

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
From left to right: Julien Prévieux, Anthologie des regards, 2015 (wood, screens and silk screen coat emulsion dimensions variable); Zbigniew Libera, Lego. Concentration Camp, 1999 (inkjet print on paper)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara) From left to right: Crisitna David, The Real Reason of the Migration of People in Europe to West, 2006 (video, mini DV, 1 min. 58 sec.); Szilárd Miklós, Freelancers Space Station, 2017, objects (acetofan, adhesive, pigments), installation, paintings by Hans Mattis-Teutsch
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Miklósi Dénes, Noi am văzut [We’ve seen], 2016 (inkjet double side print, 236 cm x 430 cm)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
From left to right: Zbigniew Libera, Lego. Concentration Camp, 1999
(inkjet print on paper); Lea Rasovszky, SOFT WAR (Bubble Gun of Sweet Surrender), object/installation, inflatable structure (600 × 350 × 250 cm)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Foreground: Sándor Bartha, March for a New Identity, 2017 (installation, different objects); Julien Prévieux, Le lotissement, 2008, MDF, acrylic paint approximately 250 × 200 × 150 cm each
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara). Foreground: Mircea Suciu, Color Palette (2), 2017 (oil, acrylic, monoprint); Ioana Bătrânu, Melancholic Interior, 2012 (acrylic on canvas). Background: Michel Blazy, Fontaine de mousse, 2007-2017. Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Smaranda Ursuleanu, Vulvatic Wallpaper, 2017 (body printing, acrylic on paper). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
From left to right: Pavel Brăila, Pickled Story, 2017, installation (shelf with homemade preserves, pickled vegetables, dimensions variable); Bartha Sándor, March for a New Identity, 2017 (installation); Olivia Mihălțianu, Trousse Beauté, 2009, light-boxes (cardboard, compact light tube, digital print); Mary Reid Kelley, Pasiphae’s Liquor Cabinet, 2014 (liquor and pill bottles, paint, sculpey compound, glass, wood. Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Olivia Mihălțianu, Trousse Beauté, 2009, light-boxes (cardboard, compact light tube, digital print). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Cătălina Nistor, Supervised rooms, 2017, wall drawing. Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Pusha Petrov, Marsupium à main, 2010, series of photographs (digital print mounted on 3 mm aluminium dibond). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). From left to right: Nona Inescu, A fuzzy feeling (room divider), 2016 (wooden frame, archival print on Hahnemuhle paper); Pusha Petrov, Marsupium à main, 2010, series of photographs (digital print mounted on 3 mm aluminium dibond). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Timco Hall). Lena Henke, First Ladies, (Michelle Obama, Patrizia D’Addario, Carla Bruni, Metriban Aliyeva, Miyuki Hatoyama, Anne Mette Rasmussen, Sizakele Khumalo, Nompumelelo Ntuli, Tobeka Madiba), 2009 (wood, tables, mixed media). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Timco Hall). Flaka Haliti, Thendive, Grace, Rishika, Lefa, Kaden, Victoria, Nadia, Leo, Cyril, Mrs. Faye, Malrar, Josias, Ojas, Philip, Ernest, Ziyanda, Ledri, Amadou, Bayanda, Julien Sochima, Edgar, Daniel, Tshego, Nihal, Oyane, Ms. Dagrou, Anna, Abigail, Quentin, 2015-2016, installation (metal, sand, plastic, dimensions variable. Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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I Work Therefore I’m Not
2012-ongoing
Anca Benera & Arnold Estefan
Mixed media installation (wall paint, drawing, A3 prints)
Dimensions variable
Photo credits: Ghislain Amar/White Project

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Exhibition view Life a User’s Manual detail (venue: Timco Hall)
Anca Benera & Arnold Estefan, I Work Therefore I’m Not, 2012-ongoing
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Timco Hall)
Anca Benera & Arnold Estefan, I Work Therefore I’m Not, 2012-ongoing
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Lea Rasovszky, SOFT WAR (Bubble Gun of Sweet Surrender), inflatable object (600 × 350 × 250 cm)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Press release

Second edition of ART ENCOUNTERS to become a regular venue for Romanian art in the international curatorial dialogue.

Working on History. Contemporary Chinese Photography and the Cultural Revolution

Museum für Fotografie, Jebensstraße 2, 10623 Berlin; 18.08.2017 — 07.01.2018

Zhang Kechun, People Crossing the Yellow River with a Photo of Mao Zedong, Henan, 2012 Inkjet Print, 120 × 147 cm
© Zhang Kechun

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Mo Yi Red, 1985 C-Print (2017), 60 × 87 cm
© Mo Yi

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Cao Kai, Summer of 1969, 2001-2002 HD edition 2010, DVD (Videostill)
© Cao Kai

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Feng Mengbo, My Private Album, 1996, Interactive Installation (Screenshot) © Feng Mengbo

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Hai Bo, They No. 5, 2000 Digital C-Print, 50 × 130 cm
© Hai Bo

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He Chongyue, The End 01 – An Aging Population: The Family Planning Series, 2010, Inkjet Print, 90 × 225 cm
© He Chongyue

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Maleonn, White on White #2, 2010, C-Print, 60 × 90 cm
© Maleonn

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Cai Dongdong, Shooting Practice, 2016 Silver Gelatin Print, Mirror, 100 × 100 × 100 cm
© Cai Dongdong

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Qu Yan, Wuzhuang village Head Of ce, Tushan Town, Pizhou County, Jiangshu
Province, 2005 C-Print (2017), 120 × 160 cm
© Qu Yan

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Shao Yinong & Mu Chen, Assembly Hall series – Yangzheng, 2003 C-Print, 20 × 168 cm
© Shao Yinong & Mu Chen

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Song Yong Ping, New Life, 1999 Silver Gelatin Print, 86 × 46 cm
© Song Yong Ping

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Wang Ningde Some Days, No. 30, 2005 Silver Gelatin Print, 50 × 60 cm
© Wang Ningde

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Wang Qingsong Competition, 2004 C-Print (2017), 300 × 170 cm
© Wang Qingsong

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Wang Youshen Washing, 2017 News Photographs, Developing Trays, Water, Clips, Thread, Dimensions Variable
© Wang Youshen

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Zhang Dali, A Second History 9: 1952 The First Sport Meeting of the National Army, 2005 C-Print (2017), 112 × 60 cm
© Zhang Dali

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Weng Naiqiang, Chairman Mao on Tian An Men, 1966 C-Print (2017), 100 × 100 cm
© Weng Naiqiang

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Photographer unknown Beijing, Tien An Men, 1966 Silver Gelatin Print, 5,4 × 4,6 cm
© Archiv Günter Karl Bose

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Designer unknown, Mao Zedong after Crossing the Yangtze, 1966 Poster, 73,2 × 52,0 cm
© Private collection

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Press release

“Working on History. Contemporary Chinese Photography and the Cultural Revolution” discovers the impact of the Cultural Revolution on current art and photography in China.

Winsor & Newton - Residence scholarship at the Künstlerhaus Bethanien in Berlin

Künstlerhaus Bethanien I Kottbusser Straße 10 10999 Berlin; 15 May and 15 November 2017

Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
Bist du noch da, 2017, Öl und Acryl auf Leinwand, 68 × 45 cm
© Aneta Kajzer

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Aneta Kajzer
Cyborglady, 2017, Öl und Acryl auf Leinwand, 100 × 70 cm
© Aneta Kajzer

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Aneta Kajzer
Prima Ballerina, 2017, Öl und Acryl auf Leinwand, 300 × 200 cm
© Aneta Kajzer

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Aneta Kajzer
Babyface,
2017, Öl und Acryl auf Leinwand,
68 × 48 cm
© Aneta Kajzer

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Aneta Kajzer
„Gorilla“: I’ve got not brain baby,
2017, Öl und Acryl auf Leinwand,
160 × 145 cm
© Aneta Kajzer

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Aneta Kajzer
Trunkenbold, 2017, Öl und Acryl auf Leinwand,
60 × 45 cm
© Aneta Kajzer

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Aneta Kajzer
„Wurm“: Ohne Titel (Twist),
2017, Öl und Acryl auf Leinwand,
300 × 200 cm
© Aneta Kajzer

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Manuel Stehli
ohne Titel
2015, Öl auf Leinwand,
170×220cm
© Manuel Stehli

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Manuel Stehli
ohne Titel, (Tektonik)
2015, Öl auf Leinwand,
125×170cm
© Manuel Stehli

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Manuel Stehli
Mojave, Öl auf Leinwand
2016, Öl auf Leinwand
40×50cm
© Manuel Stehli

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Manuel Stehli
Wall
2016, Öl auf Leinwand
120×160cm
© Manuel Stehli

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Press release

Fine art materials brand Winsor & Newton announces for the first time a call for two artist-in-residence grants at Künstlerhaus Bethanien, Berlin. This year´s grantees are Aneta Kajzer and Manuel Stehli.

Perspektive 2018 – Fund for Contemporary Art and Architecture

Germany / France; 01.01. - 31.12.2017

Porcelain Filter
(Project Foreign Objects)

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Ingo Duennebier
(Project: Form Follows Aktion)

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La Galerie, Noisy-le-Sec, vue aérienne
(Project: La Presse)

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Niche: L’Espace Feminin, Dinner-Talks
(Project: Making Spaces)

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Moritz Simon Geist : Sonic Robots
(Project: Remembering the Future)

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Visual Perspektive French
Copyright: Perspektive, Bureau des arts plastiques

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Visual Perspektive German
Copyright: Perspektive, Bureau des arts plastiques

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Candice Lin, System for a Stain, 2016, mixed media. Commissioned by Gasworks. Courtesy of the artist

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Parasite space
Copyright: Brad Downey & Diego Sologur

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District Kunst und Kulturförderung
Copyright: District Kunst- und Kulturförderung GmbH

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Niche dîner discussio“ Copyright: Niche Berlin

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Bellastock
Copyright: Association Bellastock

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Press release

Perspektive – Fund for Contemporary Art and Architecture, initiated by the Bureau for Visual Arts, aims to support projects happening between France and Germany.

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